影院名字：春天影院
片名:《爱欲情歌》
类型:动作片
上映时间:1992
上映地区:美国
导演:比尔·杜克
主演:劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯
集数: 完结
语言:英语
评分：7.0
状态：HD中字
《爱欲情歌》于1992上映后就广受喜欢观看电影的网友好评,从爱欲情歌高达7.0的评分就能看出这是一部很nice的动作片.首先是爱欲情歌剧情紧凑,并且爱欲情歌是由劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯等人主演,爱欲情歌的导演比尔·杜克采用了宏大的拍摄背景,使得爱欲情歌人物性格饱满,让观众爱欲情歌在观看后记忆深刻.爱欲情歌拍摄于美国,所以这部英语的动作片反应了一个地区一个时代的人物故事
剧情简介：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.Copyright © 2015-2020 All Rights Reserved
