影院名字：春天影院
片名:《笼中女【影视解说】》
类型:短剧
上映时间:1971
上映地区:美国 / 菲律宾
导演:Gerardo de Leon
主演:Pam Grier / Jennifer Gan / Roberta Collins / Judith M. Brown
集数: 完结
语言:英语
评分：10.0
状态：HD
《笼中女【影视解说】》于1971上映后就广受喜欢观看短剧的网友好评,从笼中女【影视解说】高达10.0的评分就能看出这是一部很nice的短剧.首先是笼中女【影视解说】剧情紧凑,并且笼中女【影视解说】是由Pam Grier / Jennifer Gan / Roberta Collins / Judith M. Brown等人主演,笼中女【影视解说】的导演Gerardo de Leon采用了宏大的拍摄背景,使得笼中女【影视解说】人物性格饱满,让观众笼中女【影视解说】在观看后记忆深刻.笼中女【影视解说】拍摄于美国 / 菲律宾,所以这部英语的短剧反应了一个地区一个时代的人物故事
剧情简介： Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.
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